- 01:36 @dcorsetto Yes, Please don't. It'll be crazy on the roads what with MDers not knowing what Snow is half the time. #
- 02:40 I might take my sculpy and make Psicorp pins to wear at Katsucon #
- 02:57 @Cabbitzilla didn't know you had a twitter! #
- 03:34 @Cabbitzilla You know me....9.9 :P #
- 03:34 SNOW SITING. #
- 04:50 ...Okay, that's new. Blizzard Warning for Anne Arundel County? Wow. #
There was no time yesterday for a blog entry, as we had to drive to Massachusetts to find a screening of Avatar that wasn't 3-D.But, had I made an entry yesterday, I would have said that, on Thursday I somehow went from completely locked up (first half of the day, carrying over from Wednesday and Tuesday) to writing 1,106 words on "The Jetsam of Disremembered Mechanics." Which was a huge relief. I might survive this month, after all. Today, I'll go back to work on the story, and hopefully it will be finished by Sunday evening, and I can move along to Sirenia Digest #49.
---
So, yesterday we drove to Massachusetts for a 1:30 (CaST) showing of James Cameron's Avatar. And I think (given how many times I've said I'm not someone who can write actual film reviews) I'll just cut to the chase and say that this is a brilliant, stunning, and terrifying film. In some ways, it's a film I've been waiting my whole life to see. Not merely because Cameron and Weta have created such a convincing extraterrestrial biosphere, and not only because it speaks to my "parahuman" psyche, but because that "alien" landscape is merely one part of such a grandly sublime package. During and after the film, my head was crammed full of things I wanted to say here, and I should have written those things down, because now I can't seem to find the words. The film affected me deeply, and on a level I'm not sure I can articulate. Generally, reviews are either evaluations, arguments, or a combination of those two things. I can evaluate this film, and if I had a good deal more time at my disposal (and the requisite motivation), I could also argue why this film is not only a great film, but why it is an important film. They might even be convincing arguments for some. But I'm going to have to settle for something more to the point.
With Avatar, Cameron (and all those who worked with him) have created a film that places humanity in the role of alien invader, inverting Wells' War of the Worlds formula. Which is exactly what I was hoping to see. Indeed, I would say that Cameron inverts one of his own earlier efforts, Aliens (1986). In 2154, a joint military/corporate effort from a dying earth seeks to exploit the mineral resources of an earth-like moon circling a gas giant in a distant solar system. The problem, of course, is that a sentient race lives on the moon, one that is....well, we get into spoiler territory here, and I very much don't want to spoil this for anyone. I'm honestly not sure what to say (as I may have said above). Roger Ebert and other genuine reviewers have already said so much that needed saying about the film.
I'm not so much impressed that, with Avatar, Cameron was willing to make a film with such a strong pro-environmentalist and anti-war message. Lots of people are doing that (though none have risked this sort of budget in the process). What truly impresses me is that Cameron has made what is essentially an anti-human film. On Pandora, in the conflicts between mankind and the Na'vi, we see what we've seen on Earth for the entirety of human history. In general and with precious few exceptions, humans will go to any length to exploit Nature for short-term and short-sighted gains. And "contacts" between technological and not-so technological civilizations pretty much always end with the latter getting throttled, displaced, and often driven to the brink of extinction. Avatar says, as I have always said, that there's no reason whatsoever to think things would be any different were "we" to encounter another civilization on another planet. But there's more here than some hackneyed, naive fairy-tale of the "noble savage." At the core of this film is an ingenious sort of evolutionary surprise that gives the Na'vi a fighting chance.
I'll also say that Avatar impressed me as a profoundly pagan film, but I know that it's too easy to see what we want to see in art that we love. So I'm not going to dwell on that (though Avatar already has some Xtians in a lather for this very reason).
I could go on and on, but I won't. I will say that I thought the science was pretty decent. Sure, there are a few holes here and there, but they're nothing serious, nothing that interferes with the story. I could believe in the animals and plants I saw on Pandora, that I was seeing viable ecosystems. The creatures are as amazing and gorgeous as any fictional fauna and flora that have ever graced a screen, and I very much hope that we'll see a book from Weta Workshop like the "natural history" of Skull Island they released back in 2005, because I very much want to know more.
Go see this film. It's a damn good movie. Like The Road, It's terrible and beautiful and true. Which means that it's important.
* H. G. Wells, The War of the Worlds (1898)
---
So, yesterday we drove to Massachusetts for a 1:30 (CaST) showing of James Cameron's Avatar. And I think (given how many times I've said I'm not someone who can write actual film reviews) I'll just cut to the chase and say that this is a brilliant, stunning, and terrifying film. In some ways, it's a film I've been waiting my whole life to see. Not merely because Cameron and Weta have created such a convincing extraterrestrial biosphere, and not only because it speaks to my "parahuman" psyche, but because that "alien" landscape is merely one part of such a grandly sublime package. During and after the film, my head was crammed full of things I wanted to say here, and I should have written those things down, because now I can't seem to find the words. The film affected me deeply, and on a level I'm not sure I can articulate. Generally, reviews are either evaluations, arguments, or a combination of those two things. I can evaluate this film, and if I had a good deal more time at my disposal (and the requisite motivation), I could also argue why this film is not only a great film, but why it is an important film. They might even be convincing arguments for some. But I'm going to have to settle for something more to the point.
With Avatar, Cameron (and all those who worked with him) have created a film that places humanity in the role of alien invader, inverting Wells' War of the Worlds formula. Which is exactly what I was hoping to see. Indeed, I would say that Cameron inverts one of his own earlier efforts, Aliens (1986). In 2154, a joint military/corporate effort from a dying earth seeks to exploit the mineral resources of an earth-like moon circling a gas giant in a distant solar system. The problem, of course, is that a sentient race lives on the moon, one that is....well, we get into spoiler territory here, and I very much don't want to spoil this for anyone. I'm honestly not sure what to say (as I may have said above). Roger Ebert and other genuine reviewers have already said so much that needed saying about the film.
I'm not so much impressed that, with Avatar, Cameron was willing to make a film with such a strong pro-environmentalist and anti-war message. Lots of people are doing that (though none have risked this sort of budget in the process). What truly impresses me is that Cameron has made what is essentially an anti-human film. On Pandora, in the conflicts between mankind and the Na'vi, we see what we've seen on Earth for the entirety of human history. In general and with precious few exceptions, humans will go to any length to exploit Nature for short-term and short-sighted gains. And "contacts" between technological and not-so technological civilizations pretty much always end with the latter getting throttled, displaced, and often driven to the brink of extinction. Avatar says, as I have always said, that there's no reason whatsoever to think things would be any different were "we" to encounter another civilization on another planet. But there's more here than some hackneyed, naive fairy-tale of the "noble savage." At the core of this film is an ingenious sort of evolutionary surprise that gives the Na'vi a fighting chance.
I'll also say that Avatar impressed me as a profoundly pagan film, but I know that it's too easy to see what we want to see in art that we love. So I'm not going to dwell on that (though Avatar already has some Xtians in a lather for this very reason).
I could go on and on, but I won't. I will say that I thought the science was pretty decent. Sure, there are a few holes here and there, but they're nothing serious, nothing that interferes with the story. I could believe in the animals and plants I saw on Pandora, that I was seeing viable ecosystems. The creatures are as amazing and gorgeous as any fictional fauna and flora that have ever graced a screen, and I very much hope that we'll see a book from Weta Workshop like the "natural history" of Skull Island they released back in 2005, because I very much want to know more.
Go see this film. It's a damn good movie. Like The Road, It's terrible and beautiful and true. Which means that it's important.
* H. G. Wells, The War of the Worlds (1898)
- Location:Argentea Planum
- Mood:
pleased - Music:Jethro Tull, "Skating Away (On the Thin Ice of a New Day)"
- Location:home
- Mood:
thoughtful
It is 9am EST in Hanover, MD.
The ZOMGSNOWSTORM of the Season (so far; This is Maryland, we're not known for our ZOMGSNOW...we're not known for snow, period most of the time) started at roughly 10:30pm EST last night.
We have a foot of snow. Or damn near close to it at this point
In less than 12 hours, WE HAVE A FUCKING FOOT OF SNOW. This is relevant because....
ITS NOT STOPPING UNTIL TONIGHT SOMETIME.
We have a freaking BLIZZARD WARNING. I have lived here ELEVEN YEARS, and never have I seen a fucking BLIZZARD WARNING.
Watching the snow blow back in Jon's face while he shovels a spot out for the car on the driveway's pretty funny to watch. Having lived Hell in North Dakota, I'm glad it's not me.
Weather.com says it's currently 'light snow'. c.c They're funny.
Apparently weather reports of the area have been heard to say that starting this afternoon, we should be getting about 2"/hour until...whenever.
Haha, I think the boy's getting Monday off.
(All you people in VA shush. You guys usually 1) get more snow than we do when storms hit and 2) YOU USUALLY GET SNOW WHEN WE DONT, so noneya's 'we have more' :P That goes double for you people north)
The ZOMGSNOWSTORM of the Season (so far; This is Maryland, we're not known for our ZOMGSNOW...we're not known for snow, period most of the time) started at roughly 10:30pm EST last night.
We have a foot of snow. Or damn near close to it at this point
In less than 12 hours, WE HAVE A FUCKING FOOT OF SNOW. This is relevant because....
ITS NOT STOPPING UNTIL TONIGHT SOMETIME.
We have a freaking BLIZZARD WARNING. I have lived here ELEVEN YEARS, and never have I seen a fucking BLIZZARD WARNING.
Watching the snow blow back in Jon's face while he shovels a spot out for the car on the driveway's pretty funny to watch. Having lived Hell in North Dakota, I'm glad it's not me.
Weather.com says it's currently 'light snow'. c.c They're funny.
Apparently weather reports of the area have been heard to say that starting this afternoon, we should be getting about 2"/hour until...whenever.
Haha, I think the boy's getting Monday off.
(All you people in VA shush. You guys usually 1) get more snow than we do when storms hit and 2) YOU USUALLY GET SNOW WHEN WE DONT, so noneya's 'we have more' :P That goes double for you people north)
- Mood:ZOMGWTFSNOW
- 06:01 @heretic0977 Whenever you're up, able and willing? O dpm #
- 06:02 @heretic0977 Wow, Homerow Key Fail there. Anyway, I don't think we're going anywhere. I'll double check with Jon tomorrow #
- 06:05 @heretic0977 /salute #
- 22:26 @paperelle I'd always like to see you guys, naturally, but I can understand communication issues. *hugg* #
- 23:15 @paperelle Way I look at it, with them doing a new system and apparently not having the foresite to actually introduce it way earlier, #
- 23:15 @paperelle ..there's going to be a lot of hiccups. x.@ #
- Location:Olympus Mons
- Mood:
cold - Music:Spooky talking to the peculiars
- 21:26 Mmm, hubby fighting. Always good for an evening's entertainment. Also, I am FailMom. Go me. #
- 22:25 @paperelle Did you get a confirmation when you hit submit on your app? #
- 22:49 @paperelle ... Lovely, I didn't get that page. And I"m afraid to resubmit it without knowing wehther or not they got it D: UGH #
- 23:12 @ghostangel Hubby says he'd have to have more info (like in or out of combat) but his default answer is: No, never a waste of mana #
- 23:37 @ghostangel He says that if the lock's out of combat, it's just annoying, but if you're in combat, direct attack or no, your job is to heal #
- 23:38 @ghostangel (con't). He plays both classes (Holy priest and a Warlock) if that helps with his opinions at all #
- 23:51 Oh lovely now I get to appear as a moron to the AA staff. Found out AFTER submitting a second app that going back to the Katsu page is NORM #
- 23:52 ...at least i wasn't the only one who did it, if the forums are any indication. #
- 23:53 @ghostangel You're the lock, I take it? :Oa #
The Red Tree is having a particularly good week. Indeed, last night its sales ranking went as high as 3,949, which is the highest I've seen it. The numbers went up some time ago, right after Amazon.com posted that "Top 10 Books: Science Fiction & Fantasy" list back in early November, which includes The Red Tree at #2. With luck, the numbers will stay high for at least another month or so. By the way, this absolutely does not mean I'm suddenly making money off the book; it only means that the book is selling, and so some part of my debt to the publisher, incurred via my advance, is being paid off, and so the publisher is more likely to continue publishing my novels. If it kept selling like this for a year or so, I might see a royalty check.
---
No Writing yesterday. I tried. The best I managed was proofreading the galleys for the reprint of "Pickman's Other Model (1929)" in Joshi's forthcoming Black Wings: New Tales of Lovecraftian Horror. It's a very good story, one I'm quite proud of, and I found a small number of errors.
It's bitterly cold here in Providence, and will be more bitter tonight. What is it Amanda Palmer said in "Coin-Operated Boy"? Oh. "Bitterer." Tonight will be bitterer than today. The sun is out, at least.
Yesterday, the December '09 issue of the Journal of Vertebrate Paleontology arrived. Lots of good papers in this one. I began reading "Tethyshadros insularis, a new hadrosauroid dinosaur (Ornithischia) from the Upper Cretaceous of Italy." Oh, and I had no idea that, last year, Greg Paul (a notorious taxonomic "lumper" since at least the '80s) split the taxon Iguanodon into Iguanodon, Mantellisaurus, and Dollodon. I'm extremely skeptical, and it should be noted that most of Paul's "lumping" of taxa has failed to withstand the test of time (for example, his attempt in 1988 to combine Deinonychus, Velociraptor, and Saurornitholestes into a single genus).
We read more of Greer Gilman's amazing Cloud and Ashes last night.
Oh...almost forgot. We also watched Roar Uthaug's Fritt vilt (2006, aka Cold Prey) yesterday evening. I was very, very underwhelmed. To start with, the version we could stream from Netflix was dubbed from Norwegian into English, only it sounded like the dubbing had been done in Japan. Dubbing is never a good idea (possible exception, some animated films). It mutilates a film as surely as do pan-and-scan prints. Regardless, it's not a very bright film, only a very formulaic slasher flick. Five kids trapped in an abandoned ski lodge and pursued and picked off one by one by a lumbering serial killer. Blah, blah, blah. It's a shame the director could not have done more with the setting, which manages to simultaneously inspire a sense of claustrophobia and agoraphobia. I will say that the last ten minutes or so were almost interesting, but coming, as they do, after all that dullness, they were hardly worth the wait. Sure, it was definitely an improvement over Deadline, which we watched on Tuesday night. At least the murders aren't bloodless. But I would not recommend Fritt vilt, unless maybe the Ambien's not working for you.
On the other hand, here's something both beautiful and terrible, the art of Monica Cook.
Okay. Time to make the doughnuts.
---
No Writing yesterday. I tried. The best I managed was proofreading the galleys for the reprint of "Pickman's Other Model (1929)" in Joshi's forthcoming Black Wings: New Tales of Lovecraftian Horror. It's a very good story, one I'm quite proud of, and I found a small number of errors.
It's bitterly cold here in Providence, and will be more bitter tonight. What is it Amanda Palmer said in "Coin-Operated Boy"? Oh. "Bitterer." Tonight will be bitterer than today. The sun is out, at least.
Yesterday, the December '09 issue of the Journal of Vertebrate Paleontology arrived. Lots of good papers in this one. I began reading "Tethyshadros insularis, a new hadrosauroid dinosaur (Ornithischia) from the Upper Cretaceous of Italy." Oh, and I had no idea that, last year, Greg Paul (a notorious taxonomic "lumper" since at least the '80s) split the taxon Iguanodon into Iguanodon, Mantellisaurus, and Dollodon. I'm extremely skeptical, and it should be noted that most of Paul's "lumping" of taxa has failed to withstand the test of time (for example, his attempt in 1988 to combine Deinonychus, Velociraptor, and Saurornitholestes into a single genus).
We read more of Greer Gilman's amazing Cloud and Ashes last night.
Oh...almost forgot. We also watched Roar Uthaug's Fritt vilt (2006, aka Cold Prey) yesterday evening. I was very, very underwhelmed. To start with, the version we could stream from Netflix was dubbed from Norwegian into English, only it sounded like the dubbing had been done in Japan. Dubbing is never a good idea (possible exception, some animated films). It mutilates a film as surely as do pan-and-scan prints. Regardless, it's not a very bright film, only a very formulaic slasher flick. Five kids trapped in an abandoned ski lodge and pursued and picked off one by one by a lumbering serial killer. Blah, blah, blah. It's a shame the director could not have done more with the setting, which manages to simultaneously inspire a sense of claustrophobia and agoraphobia. I will say that the last ten minutes or so were almost interesting, but coming, as they do, after all that dullness, they were hardly worth the wait. Sure, it was definitely an improvement over Deadline, which we watched on Tuesday night. At least the murders aren't bloodless. But I would not recommend Fritt vilt, unless maybe the Ambien's not working for you.
On the other hand, here's something both beautiful and terrible, the art of Monica Cook.
Okay. Time to make the doughnuts.
- Location:Elysium Planitia
- Mood:
stiff and cold - Music:Arcade Fire, "Black Wave/Bad Vibrations"
- 00:36 Dear Retard: On the deconstructor fight the ranged usually /are/ running around to get to the adds. COMPENSATE BY FOLLOWING. #
Yesterday was almost, and perhaps actually, a total loss, so far as writing is concerned. I managed only 285 words on "The Jetsam of Disremembered Mechanics," and then I just...locked up. I couldn't tell if what I was writing was good enough. I was suddenly no longer certain if any part of the story was anything but trite, hollow...and so I locked up. I sat here another hour or so, angry and baffled and aware that it might all have stemmed from my having used Ambien to get to sleep Tuesday morning. Finally, Spooky said I should get up, that we should get out of the house. And so we did.
Though it was late in the day when we left, we headed across town to the Bell Gallery (Brown University) at 64 College Street, which is currently featuring Rachel Berwick's installation "Zugunruhe." Berick's work generally concerns species that have recently become extinct, or were thought to be extinct until recently, or may soon be extinct— the Tasmanian tiger, the Galapagos tortoise, the coelacanth, etc. "Zugunruhe" is devoted to the passenger pigeon (Ectopistes migratorius), a bird that once inhabited North America in almost unimaginable numbers, but was wiped out during the 1800's by hunting and deforestation. The species was effectively extinct in the wild by the early 20th Century. The last captive specimen died at the Cincinnati Zoo on September 1, 1914 (the last authenticated sighting in the wild was made in Pike County, Ohio, on March 22, 1900).
The instillation is startling in its simplicity. First, we are greeted by an enormous copy of Audubon's 1840 Birds of America (five feet wide when opened), displaying his life-sized illustration of the passenger pigeon. And then there are grey walls on which have been recorded excerpts from the writings of 19th Century naturalists and hunters, describing the almost unbelievable size of Ectopistes migratorius flocks. On a pedestal stands a glass bell jar or globe, inside of which is an odd contraption with a large brass needle which rotates erratically, almost compass like, both recalling migratory instincts and pointing to the quotes on the walls. The final part of the instillation is a great heptagonal glass case in a darkened room. The case contains a tree, and the branches of the tree are festooned with hundreds of passenger pigeons cast in orange copal (a million or so years old, an immature form of amber).
By the way, "zugunruhe" is a an obscure German ornithological term for the nighttime restlessness displayed by migratory birds.
---
Leaving the gallery, just as the bells at Brown were tolling four p.m. (EST), I had a minor absence seizure. Which may explain the trouble I'd been having with the story, as work often becomes difficult before a seizure. We stopped by the market before heading home. There was Chinese takeout for dinner, as no one felt like cooking. We streamed a truly dreadful film from Netflix, Thora Birch and some other people in Sean McConville's Deadline (2009). This has to be one of the dullest films of the year, and I'm not sure why we didn't shut it off after the first twenty minutes. I will say, the ghost story is one of the most difficult supernatural tales to pull off effectively, especially in film, and one does not manage that trick by regurgitating every tiresome gimmick from the last decade of American and Japanese cinema (most of which never worked to begin with). Avoid this film. And you might also want to avoid WoW until after the "holidays," as its been infested with inappropriate Xmas idiocy again. We quested a bit in remote parts of the Howling Fjord and reached Level 71. There was a genuinely creepy encounter with the Lich King inside a sepulcher at the Vrykul city of Gjalerbron. Shaharrazad and Suraa slew the Vrykul queen Angerboda as she was attempting to resurrect King Ymiron. But the Lich King made a brief appearance and spirited the two giants away.
And that was yesterday. But there are photos:
( 15 December 2009 )
Though it was late in the day when we left, we headed across town to the Bell Gallery (Brown University) at 64 College Street, which is currently featuring Rachel Berwick's installation "Zugunruhe." Berick's work generally concerns species that have recently become extinct, or were thought to be extinct until recently, or may soon be extinct— the Tasmanian tiger, the Galapagos tortoise, the coelacanth, etc. "Zugunruhe" is devoted to the passenger pigeon (Ectopistes migratorius), a bird that once inhabited North America in almost unimaginable numbers, but was wiped out during the 1800's by hunting and deforestation. The species was effectively extinct in the wild by the early 20th Century. The last captive specimen died at the Cincinnati Zoo on September 1, 1914 (the last authenticated sighting in the wild was made in Pike County, Ohio, on March 22, 1900).
The instillation is startling in its simplicity. First, we are greeted by an enormous copy of Audubon's 1840 Birds of America (five feet wide when opened), displaying his life-sized illustration of the passenger pigeon. And then there are grey walls on which have been recorded excerpts from the writings of 19th Century naturalists and hunters, describing the almost unbelievable size of Ectopistes migratorius flocks. On a pedestal stands a glass bell jar or globe, inside of which is an odd contraption with a large brass needle which rotates erratically, almost compass like, both recalling migratory instincts and pointing to the quotes on the walls. The final part of the instillation is a great heptagonal glass case in a darkened room. The case contains a tree, and the branches of the tree are festooned with hundreds of passenger pigeons cast in orange copal (a million or so years old, an immature form of amber).
By the way, "zugunruhe" is a an obscure German ornithological term for the nighttime restlessness displayed by migratory birds.
---
Leaving the gallery, just as the bells at Brown were tolling four p.m. (EST), I had a minor absence seizure. Which may explain the trouble I'd been having with the story, as work often becomes difficult before a seizure. We stopped by the market before heading home. There was Chinese takeout for dinner, as no one felt like cooking. We streamed a truly dreadful film from Netflix, Thora Birch and some other people in Sean McConville's Deadline (2009). This has to be one of the dullest films of the year, and I'm not sure why we didn't shut it off after the first twenty minutes. I will say, the ghost story is one of the most difficult supernatural tales to pull off effectively, especially in film, and one does not manage that trick by regurgitating every tiresome gimmick from the last decade of American and Japanese cinema (most of which never worked to begin with). Avoid this film. And you might also want to avoid WoW until after the "holidays," as its been infested with inappropriate Xmas idiocy again. We quested a bit in remote parts of the Howling Fjord and reached Level 71. There was a genuinely creepy encounter with the Lich King inside a sepulcher at the Vrykul city of Gjalerbron. Shaharrazad and Suraa slew the Vrykul queen Angerboda as she was attempting to resurrect King Ymiron. But the Lich King made a brief appearance and spirited the two giants away.
And that was yesterday. But there are photos:
- Location:Tartarus Scopulus
- Mood:
restless & disoriented - Music:Catherine Wheel, "Crank"
- 11:07 'But today's my day off!' ...maybe you should not have your days off on Tuesdays if you're a WoW Addict? Sorry, response to channel whining. #
- 11:07 Also you know an acid attack is bad when you're wondering if that aftertaste you're having is blood. #
- Location:home
- Mood:
nostalgic
Yesterday, I did 1,027 words on "The Jetsam of Disremembered Mechanics." Precisely the same word count as on Sunday, which is odd, but there you go. It's beginning to seem unlikely that I'll have the story finished by tomorrow evening as I'd originally hoped. It's turning out longer than I'd "planned," which is, of course, its prerogative.
I suspect that thing has happened again, that thing that happens almost every December. So far as publishing is concerned, all NYC is on holiday, and I'm left waiting for three checks I'll likely not see until early January, though I needed them in late November.
Really not much else to say about yesterday. I got the page proofs for Black Wings, the anthology of Lovecraftian fiction edited by S.T. Joshi that's reprinting "Pickman's Other Model" (Sirenia Digest #28, March 2008). The anthology is due out from PS Publishing in March 2010, I think.
Last night, we almost went to the Avon on Thayer Street to see Werner Herzog's The Bad Lieutenant: Port of Call — New Orleans. We got dressed and were about to leave the house, when I pointed out that it was a film that we'd likely enjoy just as much on DVD, and we've got three films coming up that we have to see in the theatre (Avatar, Sherlock Holmes, and The Imaginarium of Doctor Parnassus). The last few years, we've mostly reserved the theatre for films that need to be seen on a big screen, which is a somewhat shitty thing to have to do, but given the steep price of tickets it's also become necessary. See a film at the Avon for almost $20, or wait a few months and see it just shy of free via Netflix. So...we didn't go to the movie, but we did leave the apartment, which I'd not done since Tuesday of last week, though we only went to the market and to check the p.o. box.
Back home, we watched two fairly awful and all but incoherent episodes of Dollhouse. But at least Summer Glau was hot in sling and black glove. And then there was more WoW, mostly doing errands for the Taunka camp in the Grizzly Hills. We did get to see female Vrykul, and it's good to know they're out there (and just as hot as I thought they'd be). We fought Vrykul shield maidens at Skorn. I think Shaharrazad, weary from all her years away from Silvermoon City, is growing tired of the fight. I can imagine her never going back to the Eastern Kingdoms, deciding instead to remain at Vengeance Landing to continue her occult studies in seclusion and obscurity. Anyway, later still, I read more of Greer Gilman's superb Cloud and Ashes to Spooky, just before bed.
And there are two photos of Hubero on my desk, from yesterday:
( 14 December 2009 )
I suspect that thing has happened again, that thing that happens almost every December. So far as publishing is concerned, all NYC is on holiday, and I'm left waiting for three checks I'll likely not see until early January, though I needed them in late November.
Really not much else to say about yesterday. I got the page proofs for Black Wings, the anthology of Lovecraftian fiction edited by S.T. Joshi that's reprinting "Pickman's Other Model" (Sirenia Digest #28, March 2008). The anthology is due out from PS Publishing in March 2010, I think.
Last night, we almost went to the Avon on Thayer Street to see Werner Herzog's The Bad Lieutenant: Port of Call — New Orleans. We got dressed and were about to leave the house, when I pointed out that it was a film that we'd likely enjoy just as much on DVD, and we've got three films coming up that we have to see in the theatre (Avatar, Sherlock Holmes, and The Imaginarium of Doctor Parnassus). The last few years, we've mostly reserved the theatre for films that need to be seen on a big screen, which is a somewhat shitty thing to have to do, but given the steep price of tickets it's also become necessary. See a film at the Avon for almost $20, or wait a few months and see it just shy of free via Netflix. So...we didn't go to the movie, but we did leave the apartment, which I'd not done since Tuesday of last week, though we only went to the market and to check the p.o. box.
Back home, we watched two fairly awful and all but incoherent episodes of Dollhouse. But at least Summer Glau was hot in sling and black glove. And then there was more WoW, mostly doing errands for the Taunka camp in the Grizzly Hills. We did get to see female Vrykul, and it's good to know they're out there (and just as hot as I thought they'd be). We fought Vrykul shield maidens at Skorn. I think Shaharrazad, weary from all her years away from Silvermoon City, is growing tired of the fight. I can imagine her never going back to the Eastern Kingdoms, deciding instead to remain at Vengeance Landing to continue her occult studies in seclusion and obscurity. Anyway, later still, I read more of Greer Gilman's superb Cloud and Ashes to Spooky, just before bed.
And there are two photos of Hubero on my desk, from yesterday:
- Location:Argyre Rupes
- Mood:
old - Music:Jethro Tull, "Skating Away (On the Thin Ice of a New Day)"
http://nightambre.livejournal.com/93293 2.html If you'd like one. Even if you think I have your address, please put it down anyway, as likely I've lost it.
*smoocha*
*smoocha*
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Cold and clear here in Providence. And I have not left the house since Tuesday afternoon, almost a full week. But we shall remedy that as soon as possible.
Yesterday, I wrote 1,027 words on "The Jetsam of Disremembered Mechanics." It's slow going, as this story is not set in one of my fictional universes, but in that of another author (I don't think I'm supposed to say who, not yet). Someone on Facebook had the gall to say, yesterday, that this constitutes "cheating," to which I reply "bullshit." I'd always much rather be playing in my own world and by my own rules, no matter how honored I might be at being allowed into that of another author. Staying true to their vision, not only the facts of that world but also the spirit of that world, it's no easy undertaking. I think I might be halfway through this story. If so, I should finish it on Wednesday.
And I'll post these links one last time, as there was another Solstice/Cephalopodmas gift inquiry yesterday evening. Here's the link to my Amazon wishlist, and here's the link to Spooky's. We are always just as happy to receive used copies of books, DVDs, and movies, by the way.
Back on Thursday, when the news went out that Kirkus Reviews is folding after seventy-six years (and I never got a bad review from them), I was dumbfounded and a bit saddened. After all, it's yet another sign that the publishing industry has been much healthier than it is right now. But, at the same time, I have been heartened to see that competent, literate bloggers who are also competent readers have begun picking up the slack. This has been more evident with The Red Tree than with any of my previous novels. Indeed, a number of the blurbs that will be included when the mass-market paperback is released next year will be from such blog reviews. Even as the easy chirping of Twitter and snarking of Facebook seem to be supplanting mass blogging, literary blogging seems to be coming into its own. For example, this morning I was greeted by this very fine review of The Red Tree at "The Black Letters" (even if it does deem me "snarly").
---
So, last night Spooky and I took Suraa and Shaharrazad (respectively) away from Outland and into Northrend, by way of the Howling Fjord. And it seems only fair that I should bestow upon Blizzard some deserved praise, after yesterday bestowing all that deserved scorn. Which is to say that Northrend is fucking beautiful, and the quests are great. My impression so far is that this extension is a vast improvement over the mismatched chaos and chintz of The Burning Crusade extension. We've only made it as far as the Tauren encampment of Winterhoof and the southern slopes of the Grizzly Hills, but these environments are gorgeous. The graphics are of an entirely different level than those from Outland. We found ourselves pausing in gameplay last night, just to stare at the sun sparkling off the snow, or the aurora coruscating above the fjord, or the mist lying thick in the boreal forests. This is a far more mature and fully realized world than we've previously seen on Azeroth, and I hope that when the big Cataclysm reboot roles around in 2010, the whole world is given this sort of face lift. Because Northrend makes the rest of WoW look shabby and cartoonish, it's that good. Also, nice to be fighting the "good" fight against the Alliance again, and hopefully all that Aldor vs. Scryers crap is behind us. No more Argent Dawn, please.
Before heading off to Winterhoof, we relocated to the inn at Vengeance Landing, fought the Alliance bastards at the Derelict Strand and then went off to battle the Vrykul at Baleheim. By the way, I thought the Vrykul were especially well realized, though I'd have liked to see women among them. WoW has this habit of tossing races at you, races which exist primarily to offer up adversaries, and making every member of that race male. They've done it with the orges, the trogs, the kobolds, and so forth. Are we supposed to suspect that these races are hermaphroditic or reproduce by budding? Is this just more neglect of female gamers? Come on, the boys would love to see giant Vrykul boobies. Well, the gay boys probably wouldn't. Maybe that's it. WoW is pandering to teh gay...
Anyway, yes, Northrend is absolutely amazing.
And now I have to go write.
Yesterday, I wrote 1,027 words on "The Jetsam of Disremembered Mechanics." It's slow going, as this story is not set in one of my fictional universes, but in that of another author (I don't think I'm supposed to say who, not yet). Someone on Facebook had the gall to say, yesterday, that this constitutes "cheating," to which I reply "bullshit." I'd always much rather be playing in my own world and by my own rules, no matter how honored I might be at being allowed into that of another author. Staying true to their vision, not only the facts of that world but also the spirit of that world, it's no easy undertaking. I think I might be halfway through this story. If so, I should finish it on Wednesday.
And I'll post these links one last time, as there was another Solstice/Cephalopodmas gift inquiry yesterday evening. Here's the link to my Amazon wishlist, and here's the link to Spooky's. We are always just as happy to receive used copies of books, DVDs, and movies, by the way.
Back on Thursday, when the news went out that Kirkus Reviews is folding after seventy-six years (and I never got a bad review from them), I was dumbfounded and a bit saddened. After all, it's yet another sign that the publishing industry has been much healthier than it is right now. But, at the same time, I have been heartened to see that competent, literate bloggers who are also competent readers have begun picking up the slack. This has been more evident with The Red Tree than with any of my previous novels. Indeed, a number of the blurbs that will be included when the mass-market paperback is released next year will be from such blog reviews. Even as the easy chirping of Twitter and snarking of Facebook seem to be supplanting mass blogging, literary blogging seems to be coming into its own. For example, this morning I was greeted by this very fine review of The Red Tree at "The Black Letters" (even if it does deem me "snarly").
---
So, last night Spooky and I took Suraa and Shaharrazad (respectively) away from Outland and into Northrend, by way of the Howling Fjord. And it seems only fair that I should bestow upon Blizzard some deserved praise, after yesterday bestowing all that deserved scorn. Which is to say that Northrend is fucking beautiful, and the quests are great. My impression so far is that this extension is a vast improvement over the mismatched chaos and chintz of The Burning Crusade extension. We've only made it as far as the Tauren encampment of Winterhoof and the southern slopes of the Grizzly Hills, but these environments are gorgeous. The graphics are of an entirely different level than those from Outland. We found ourselves pausing in gameplay last night, just to stare at the sun sparkling off the snow, or the aurora coruscating above the fjord, or the mist lying thick in the boreal forests. This is a far more mature and fully realized world than we've previously seen on Azeroth, and I hope that when the big Cataclysm reboot roles around in 2010, the whole world is given this sort of face lift. Because Northrend makes the rest of WoW look shabby and cartoonish, it's that good. Also, nice to be fighting the "good" fight against the Alliance again, and hopefully all that Aldor vs. Scryers crap is behind us. No more Argent Dawn, please.
Before heading off to Winterhoof, we relocated to the inn at Vengeance Landing, fought the Alliance bastards at the Derelict Strand and then went off to battle the Vrykul at Baleheim. By the way, I thought the Vrykul were especially well realized, though I'd have liked to see women among them. WoW has this habit of tossing races at you, races which exist primarily to offer up adversaries, and making every member of that race male. They've done it with the orges, the trogs, the kobolds, and so forth. Are we supposed to suspect that these races are hermaphroditic or reproduce by budding? Is this just more neglect of female gamers? Come on, the boys would love to see giant Vrykul boobies. Well, the gay boys probably wouldn't. Maybe that's it. WoW is pandering to teh gay...
Anyway, yes, Northrend is absolutely amazing.
And now I have to go write.
- Location:Sabis Vallis
- Mood:
well enough - Music:Catherine Wheel, "Broken Head"
